Welcome back to Beyond the Patterns. So I haven't been recording videos for quite some
time now but I really wanted to go ahead and really show you some of the things that we've
been doing in the past. In particular we had really really interesting visitors from
all across the globe virtually in our lab and I would continue to highlight their presentations
in this lecture series. And one of the best presentations in the past year was actually
given by Robert Zablatnik. So he is a professor at the TU Vienna and he has actually born in
Klaugoford in Austria in 1965. Then he was from 92 to 2003 assistant professor and from 2003
to 2010 associate professor of computer vision at the pattern recognition and image processing
group at the TU Vienna. Then from 2005 and 2017 he was the head of the Institute of Computer
Aided Automation and since 2010 he is heading the computer vision lab which is part of the
2018 founded Institute of Visual Computing and Human Centro Technology which he is heading
since 2019. His research interests are 3D computer vision including rangefinder, stereo
vision, shape from X, registration, calibration, robot vision, machine and deep learning for
computer vision, video data analysis, automated document analysis and multi spectral images
as well as virtual and augmented reality and applications. And in particular he has really
awesome contributions in cultural heritage preservation and we have been meeting for a long
time in the time machine context so we have been also working in this project together
and I am really really glad that we had him here as an invited speaker and now I am able
to present his talk that he was giving here which was entitled multi spectral imaging
and writer identification for historical manuscripts.
Robot it's a great pleasure that you have been here and now the stage is yours.
Thank you for this nice introduction and of course also for giving me the possibility
to talk a little bit about things we do here at the computer vision lab and yeah today
we are going to hear something about multi spectral imaging and writer identification
I hope it works now. So maybe if you have introduction about the computer vision lab
is so we are a group of about 35 people working in computer vision as the name says and
especially in the area of three division document analysis machine and deep learning of course
and more contracting and we have also a couple of applications we are working on mainly medical
image processing and astral vision cultural heritage where we will hear more today so
the events and the assisted living. So these are the people here we have about 35 people
four of which are postdocs and four faculty assistants here, three professors and a lot
of pre-do master students and you see the blue ones here are faculty of the university
the resties on soft money that means we also have a couple of projects always running
currently it's about 20 projects some of them are sponsored by the you some of them of
the local research funding agencies and there are also some projects with the ministries
and federal easter eggs. We have about an an alternative of two million years and about
22 food and equipment and people that are produced in a couple of papers per year and approximately
10 master thesis are finished and one or two PhD thesis in a year here at this group.
Now today we're going to focus a little bit on the document analysis where we do almost
everything and is concerned with the document analysis however we start with imaging and
here multispectal imaging and maybe this is also kind of interesting to you and then I
selected the right recognition identification as one of the topics of course we do also
OCR, HDR, layout analysis and other things. Now what can you expect? No, in the first
part we will hear a little bit about multispectal imaging and why we think that multispectal
imaging is important in the area of culture heritage. How the image of a precision is
done and what can be improved because most of the people do not care about the image
acquisition in this area however for getting good results is necessary to think also about
the image acquisition especially in multispectal imaging and then we see what we can do with
the data acquired and what can be done for the ones that need this data especially for
the humanists that actually then use this information for their research and as to see
Presenters
Zugänglich über
Offener Zugang
Dauer
01:33:52 Min
Aufnahmedatum
2023-05-31
Hochgeladen am
2023-05-31 18:16:03
Sprache
en-US
We have the great honor to welcome Robert Sablatnig to our lab for an invited presentation!
Abstract:The Computer Vision Lab @ TU Wien is working on cultural heritage related fields for more than 20 years. This presentation gives an insight on the latest achievements in the area of multispectral imaging as a prerequisite for analyzing historic manuscripts and on Automatic Writer Identification (AWI) as one of the analysis fields in the area of historic documents. MultiSpectral Imaging (MSI) has become a popular tool to reveal properties and structures in cultural heritage objects that are hidden to the human observer. One of the inherent problems of MSI applications is chromatic aberration. Due to an extended spectral range, the effect appears more pronounced than in conventional photography in the visible spectrum. Our recent work is concerned with longitudinal chromatic aberrations, i.e. shifts of the focal plane along the principal axis of the camera, as they are hard to correct in post-processing and should be avoided during acquisition. To this end, a calibration scheme to measure the wavelength- and distance-dependent focal shift behavior of a given camera/lens system is proposed, which allows for a mechanical compensation at acquisition time. The images taken are the basis for the subsequent AWI task, which has received a lot of attention in the document analysis community. However, most research has been conducted on contemporary benchmark sets. These datasets typically do not contain any noise or artefacts caused by the conversion methodology. Therefore, current state-of-the-art methods in writer identification perform differently on historical documents. In contrast to contemporary documents, historical data often contain artefacts such as holes, rips, or water stains which make reliable identification error-prone.
Short Bio: Robert Sablatnig was born in Klagenfurt, Carinthia, Austria, in 1965. From 1992 to 2003 he was an assistant professor (Univ.Ass.), and from 2003 to 2010 an associate professor (ao Univ.Prof.) of computer vision at the Pattern Recognition and Image Processing Group. From 2005 to 2017 he was the head of the Institute of Computer Aided Automation. Since 2010 he is heading the Computer Vision Lab, which is part of the 2018 founded Institute of Visual Computing & Human-Centered Technology, which he is heading since 2019. His research interests are 3D Computer Vision including Range Finder, Stereovision, Shape from X, Registration, Calibration, Robot Vision, Machine- and Deep Learning for Computer Vision, Video data analysis (Motion and Tracking), Automated Document Analysis, Multispectral Imaging, Virtual- and Augmented Reality, and Applications in Industry and Cultural Heritage Preservation. He edited 17 conference proceedings and is author or co-author of more than 300 referred scientific publications published in journals, at several international conferences and workshops. He served in many program committees for international conferences and as member of the editorial board and referee for international journals and conferences; is Vice President of the Austrian Association for Pattern Recognition (AAPR/OAGM), the Austrian branch of IAPR and the IEEE and legally sworn and certified expert witness for computer vision (allgemein beeideter und gerichtlich zertifizierter Sachverständiger).
References
Robert's Website: https://cvl.tuwien.ac.at/staff/robert-sablatnig/
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Music Reference:
Damiano Baldoni - Thinking of You (Intro)
Damiano Baldoni - Poenia (Outro)